•

the Blog

## The geometry of style

By Guillaume Filion, filed under
planktonrules,
co-inertia analysis,
information retrieval,
IMDB,
principal component analysis,
series: IMDB reviews.

• 20 July 2012 •

*This is it!* I have been preparing this post for a very long time and I will finally tell you what is so special about IMDB user 2467618, also known as planktonrules. But first, let me take you back where we left off in this post series on IMDB reviews.

In the first post I analyzed the style of IMDB reviews to learn which features best predict the grade given to a movie (a kind of analysis known as feature extraction). Surprisingly, the puncutation and the length of the review are more informative than the vocabulary. Reviews that give a medium mark (*i.e.* around 5/10) are longer and thus contain more full stops and commas.

Why would reviewers spend more time on a movie rated 5/10 than on a movie rated 10/10? There is at least two possibilities, which are not mutually exclusive. Perhaps the absence of a strong emotional response (good or bad) makes the reviewer more descriptive. Alternatively, the reviewers who give extreme marks may not be the same as those who give medium marks. The underlying question is *how much does the style of a single reviewer change with his/her...*

## Are you human?

By Guillaume Filion, filed under
Python,
Information retrieval,
movies,
IMDB,
series: IMDB reviews,
crawler.

• 08 July 2012 •

On the Internet, nobody knows you're a dog.

This is the text of a famous cartoon by Peter Steiner that I reproduced below. This picture marked a turning point in the use of identity on the Internet, when it was realized that you don't have to tell the truth about yourself. The joke in the cartoon pushes it to the limit, as if you do not even have to be human. But is there anything else than humans on the Internet?

Actually yes. The Internet is full of robots or web bots. Those robots are not pieces of metal like Robby the robot. Instead, they are computer scripts that issue network requests and process the response without human intervention. How much of the world traffic those web bots represent is hard to estimate, but sources cited on Wikipedia mention that the vast majority of email is spam (usually sent by spambots), so it might be that humans issue a minority of requests on the Internet.

In my previous post I mentioned that computers do not understand humans. For the same reasons, it is sometimes difficult for a server to determine whether it is processing a request...

## The elements of style

By Guillaume Filion, filed under
movies,
series: IMDB reviews,
information retrieval,
IMDB,
natural language processing.

• 17 June 2012 •

Let us continue this series of posts on IMDB reviews. In the previous post I used mutual information to identify a consistent trend in the reviews: very positive and very negative reviews are shorter than average reviews by about 2 sentences. But how can we give a full description of the style of reviews? And, what is style anyway?

Let's refer to the definition.

style/stīl/: A manner of doing something.

So style covers every feature of the text, from lexical (use of the vocabulary) to semantic (meaning attributed to expressions). The question of style has kept the field of Natural Language Processing (NLP) very busy because this is a strong indicator of the content of a text. What is it *about*? How *reliable* is it? *Who* is the author? However, most of the emphasis is on the syntax, because semantics is still a long and painful way ahead. Alan Turing, by his claim that a machine is able to *think* if it is able to communicate with humans in their natural languages (the Turing test), sparked a general interest for the question of language in the field of artificial intelligence. A bunch of chatting robots...

## Did Sweden cheat at Eurovision?

By Guillaume Filion, filed under
Twitter,
Eurovision,
information retrieval.

• 30 May 2012 •

In my previous post, I promised to go deeper into IMDB reviews, but I defer it until I deal with a more pressing issue.

Last Saturday was the Eurovision song contest. Somehow, my girlfriend managed to convinced me to sit through it (apologies to my fellow disincarnated academic researchers for such a treachery to our quest for knowledge).

Outside the epic performance of Ireland, already consecrated in the pantheon of memes, the show was plain boring. More specifically, it was redundant. Many songs were duplicates of each other and most were clear wannabes of successful artists (poor Amy, if you had seen what Italy did to you).

It was such a surprise, a shock I should say, that Sweden won the contest with the song Euphoria. Not that it was bad. Rather, that it was exactly like the songs we keep hearing every summer for more than 20 years. So, is this me getting old and not being able to recognize what's good music, or is there something fishy going on? I realized that the voting process is completely opaque and that nothing says that the IT counts the votes in a fair way. It would be...

## Lost in punctuation

By Guillaume Filion, filed under
information,
series: IMDB reviews,
information retrieval,
IMDB,
movies.

• 26 May 2012 •

What is the difference between The Shawshank Redemption and Superbabies: Baby Geniuses 2? Besides all other differences, *The Shawshank Redemption* is the best movie in the world and *Superbabies: Baby Geniuses 2* is the worst, according to IMDB users (check a sample scene of *Superbabies: Baby Geniuses 2* if you believe that the worst movie of all times is Plan 9 from Outer Space or Manos: the Hands of Fate).

IMDB users not only rank movies, they also write reviews and this is where things turn really awesome! Give Internet users the space and freedom to express themselves and you get Amazon's Tuscan whole milk or Food Network's late night bacon recipe. By now IMDB reviews have secured their place in the Internet pantheon as you can check from absolutedreck.com or shittyimdbreviews.tumblr.com. But as far as I am aware, nobody has taken this data seriously and try to understand what IMDB reviewers have to say. So let's scratch the surface.

I took a random sample of exactly 6,000 titles from the ~ 200,000 feature films on IMDB. This is less than 3% of the total, but this amount is sufficient to...

## Poetry and optimality

By Guillaume Filion, filed under
information,
independence,
probability.

• 21 May 2012 •

Claude Shannon was the hell of a scientist. His work in the field of information theory, (and in particular his famous noisy channel coding theorem) shaped the modern technological landscape, but also gave profound insight in the theory of probabilities.

In my previous post on statistical independence, I argued that causality is not a statistical concept, because all that matters to statistics is the sampling of events, which may not reflect their occurrence. On the other hand, the concept of information fits gracefully in the general framework of Bayesian probability and gives a key interpretation of statistical independence.

Shannon defines the information of an event with probability $(Prob(A))$ as $(-\log P(A))$. For years, this definition baffled me for its simplicity and its abstruseness. Yet it is actually intuitive. Let us call $(\Omega)$ the system under study and $(\omega)$ its state. You can think of $(\Omega)$ as a set of possible messages and of $(\omega)$ as the true message transmitted over a channel, or (if you are Bayesian) of $(\Omega)$ as a parameter set and $(\omega)$ as the true value of the parameter. We have total information about the system if we know $(\omega)$. If instead, all...

## The fallacy of (in)dependence

By Guillaume Filion, filed under
information,
causality,
probability,
independence.

• 04 May 2012 •

In the post Why p-values are crap I argued that independence is a key assumption of statistical testing and that it almost never holds in practical cases, explaining how p-values can be insanely low even in the absence of effect. However, I did not explain how to test independence. As a matter of fact I did not even *define* independence because the concept is much more complex than it seems.

Apart from the singular case of Bayes theorem, which I referred to in my previous post, the many conflicts of probability theory have been settled by axiomatization. Instead of saying what probabilities *are*, the current definition says what properties they have. Likewise, independence is defined axiomatically by saying that events $(A)$ and $(B)$ are independent if $(P(A \cap B) = P(A)P(B))$, or in English, if the probability of observing both is the product of their individual probabilities. Not very intuitive, but if we recall that $(P(A|B) = P(A \cap B)/P(B))$, we see that an alternative formulation of the independence of $(A)$ and $(B)$ is $(P(A | B) = P(A))$. In other words, if $(A)$ and $(B)$ are independent, observing...

## The reverend’s gambit

By Guillaume Filion, filed under
Bayesian statistics,
probability,
p-values.

• 22 April 2012 •

Two years after the death of Reverend Thomas Bayes in 1761, the famous theorem that bears his name was published. The legend has it he felt the devilish nature of his result and was too afraid of the reaction of the Church to publish it during his lifetime. Two hundred and fifty years later, the theorem still sparkles debate, but among statisticians.

Bayes theorem is the object of the academic fight between the so-called frequentist and Bayesian schools. Actually, more shocking than this profound disagreement is the overall tolerance for both points of view. After all, Bayes theorem is a theorem. Mathematicians do not argue over the Pythagorean Theorem: either there is a proof or there isn’t. There is no *arguing* about that.

So what’s wrong with Bayes theorem? Well, it’s the hypotheses. According to the frequentist, the theorem is right, it is just not applicable in the conditions used by the Bayesian. In short, the theorem says that if $(A)$ and $(B)$ are events, the probability of $(A)$ given that $(B)$ occurred is $(P(A|B) = P(B|A) P(A)/P(B))$. The focus of the fight is the term $(P(B...

## Why p-values are crap

By Guillaume Filion, filed under
R,
random walks,
probability,
p-values.

• 03 April 2012 •

I remember my statistics classes as a student. To do a t-test we had to carry out a series of tedious calculations and in the end look up the value in a table. Making those tables cost an enormous amount of sweat from talented statisticians, so you had only three tables, for three significance levels: 5%, 1% and 0.1%. This explains the common way to indicate significance in scientific papers, with one (*), two (**) or three (***) stars. Today, students use computers to do the calcultations so the star notation probably appears as a mysterious folklore and the idea of using a statistical table is properly unthinkable. And this is a good thing because computing those t statistics by hand was a pain. But statistical softwares also paved the way for the invasion of p-values in the scientific literature.

To understand what is wrong with p-values, we will need to go deeper in the theory of statistical testing, so let us review the basic principles. Every statistical test consists of a null hypothesis, a test statistic (a score) and a decision rule — plus the often forgotten alternative hypothesis. A statistical test is an investigation protocol to...

## The Brownian labyrinth

By Guillaume Filion, filed under
stochastic processes,
R,
random walks.

• 28 March 2012 •

Architecture and art show that human culture often uses the same basic shapes. Among them, labyrinth is an outsider for its complexity. Made famous by the Greek myth of Theseus and the Minotaur, labyrinths are found in virtually every culture and every era. The Wikipedia entry of labyrinth shows different designs, but they all have in common the intricate folding of a path onto itself, in such a way that the distance you have to walk inside the labyrinth is much larger than your actual displacement in space.

Fictions of all genres are also fraught with labyrinths. Perhaps one of the most vivid appearance of the labyrinth theme in literature is The Garden of Forking Paths by Borges. In this short story, Borges evokes a perfect labyrinth. Like in gamebooks, this special book that follows every possible ramification of the plot, and not just one. In some passages the hero dies, in some others he lives, in such a way that one can read the novel in infinitely many ways.

An invisible labyrinth of time. To me, a barbarous Englishman, has been entrusted the revelation of this diaphanous mystery. After more than a hundred years, the details are...